Doña Teresa’s eyes narrow.
“You’re bluffing,” she says, but her voice has lost a fraction of its certainty.
Rodrigo tries to laugh and fails. “Valeria, stop acting dramatic,” he mutters, shifting his grip on the suitcase.
You smile without warmth and press call.

It rings once.
Twice.
Then a man answers with a voice that sounds like paperwork and steel.

“Licenciado Serrano,” he says.
You breathe in. “Soy Valeria Ríos,” you reply. “La esposa de Alejandro Álvarez.”
On the other side, there’s a pause that feels respectful, almost solemn.
“Señora,” he says, and the title lands like a shield. “Lo siento mucho. ¿Está en la casa?”

You look straight at Doña Teresa when you answer.
“Sí,” you say. “Y no estoy sola.”
You can almost hear the notary’s jaw tighten through the phone.
“Entendido,” he replies. “No cuelgue. Voy a poner la llamada en altavoz desde mi oficina y a notificar a seguridad jurídica.”

Doña Teresa’s mouth opens.
“¿Qué está haciendo?” she snaps.
You tilt your head. “Poniendo orden,” you answer, and for the first time since the funeral, your voice doesn’t shake.

The notary speaks louder now, and you realize he’s put you on speaker at his end.

“Doña Teresa Álvarez,” he says clearly, pronouncing her name like a formal summons, “queda usted notificada de que existe un instrumento notarial y un fideicomiso que regula el patrimonio del señor Alejandro Álvarez.”
Doña Teresa’s face goes pale.
“¿Fideicomiso?” Patricia whispers, suddenly less brave.